English
CELLO
mickael chatelain
Once again the magician Mickael Chatelain offers you a very curious experience!
Effect:
Borrow a simple coin from your spectators, take your pack of chewing gum or your pack of cigarettes out of your pocket... show it from all sides, there is nothing to see.
Clearly show that cellophane is present around your package (of cigarettes for example).
Now bring the coin closer to the spectator and rub it on the cellophane... rub it slowly. After a few seconds, your hands withdraw and your spectators will notice that the coin went through the cellophane!
Illusion or not? Remove the cellophane a few centimeters and your spectators will see that this is all real, and that the piece is beautiful and well imprisoned in the cellophane!
To release it, you or your spectator will have to completely remove the cellophane!
Illusion or not? Immediately give the entire thing to your viewer for careful review, the cellophane is absolutely ordinary cellophane, just like the piece... Without opening or other tricks. The part will also be left for examination, remember that you could have borrowed it too.
How could a simple coin pass through ordinary cellophane in full light? This is a question that your viewers will be asking themselves for a very long time.
You should remember the following points:
- Cello is really simple to present, no doubt you will have it with you at all times!
- The part is found on the other side of the cellophane in a fraction of a second, without manipulation or anything else.
- Choose your own presentation (cards, pack of chewing gum, pack of cigarettes, etc.)
- Immediately give the whole thing for examination, the thing because the thing there is is really undetectable!
- The effect is extremely convincing because nothing is hidden from the eyes of the spectators, you approach a piece of cellophane, and it passes through it, as simple as that.
- Mickael Chatelain explains to you in the DVD (in French) which accompanies the material, everything you need to know about the method used, the choice of the piece, the package, the location, whether or not to have the piece signed, etc.
