Here is the book that best reflects the art of Dani Daortiz.

Its exit in Spanish was an event that has deeply turned up the way of thinking of all cartomagic lovers, putting the viewer's point of view in the heart of magic creation. Quickly exhausted, the book was again refined to reach this increased edition. Over the pages where reflections, Machiavellian techniques and punchy routines mix, Dani Daortiz reveals all the psychological weapons he has patiently developed, by putting them within everyone's reach.

An essential book that will deeply influence your magic and your psychological approach to spectators.

Summary

Part I

The attitude

• Each person is a world
• Interiorization
• The spectator is not your enemy, or how to avoid intellectual conflicts
• Believe and feel
• Casualness
• Create the feeling of freedom
• by our attitude
• The importance of actions
• Do not lie
• Direct and indirect influences
• Some concepts
• The tour begins
• After forcing, not before
• The magician's advance time
• The brain cannot simultaneously assimilate two information
• Decipher the expressions of spectators
• Gold questions or sentences
• The questions that the spectator arises
• Avoid the impression of rectifying the shooting
• Subliminal paths

Part II

• Psychological forcing and forcing psychology
• Classic forcing
• Classic process
• My psychological analysis of classical forcing and my contributions
• Arrhythmic forcing
• Subliminally mark the card (arrhythmic forcing)
• Open the card openly
• (1st version)
• Open the card openly
• (2nd version)
• With the game face in the air
• (Tamariz, Daortiz)
• Preparation of the card to be forced
• Nesting mixture
• (for magicians)
• Forcing the seventh card
• In the hands of the magician
• In the hands of the spectator
• On the table
• Other forcages
• PLC (person, place, thing)
• The magic breath
• (as a psychological failure)
• Stop when you want! (misinterpretation apparent)
• Ups and downs (with a montage), for two spectators
• Form a determined number
• freely
• Work with small packages
• Order before announcing the goal
• One of four on the table
• One of three by turning them faces
• In the air (the magician does not touch anything)
• Verbal forcing (numbers, cards, positions)
• Estimates by the spectator
• Number
• Number 18
• Promote number 2
• Spectator estimates
• On the identity (of a card,
• of a family or a color)
• Force a verbally
• (Method 1)
• Force a verbally
• (Method 2)
• Force a verbally
• (Method 3)
• Choose a family in the game
• Choose the hearts of hearts
• The choice of the magician
• The importance of the question
• The spectator answers too quickly
• Relegate the action to the background
• The ambiguity made natural
• Force decisions
• The construction of sentences
• Offer two choices, by highlighting one of the two (or better ...)
• Only one option
• Among many others
• The logic of the sentence
• Question in the background
• Direct request, final ambiguity
• Forcing by waiting
• Trap visual perception
• Visual configuration
• Visual disorder (hand on the table)
• You, me and him
• Hlg forcing
• (Tribute to Lennart Grenn)
• FLOOK WITH FANTAUX
• By unrolling the cards against the spectator
• Control or forcing
• The start of control
• Scroll
• Reach the key map
• Check
• Start forcing
• Its operation ...
• A) by increasing the need
• The speed of choice
• Concrete order
• B) Apparent casualness
• Surprise technique
• The importance of the thought card
• Faced with a possible failure
• Cards and cards ...
• To conclude…
• The "concrete moment" method (MC)
• Phases method
• Initial stage
• Transitional phase
• Double reality in transitional phase
• Final phase
• In pursuit of a goal
• Reference scheme of the concrete moment method (MC)
• Three phases:
• Initial - Transitory - Final
• Initial stage
• Transitional phase
• 2.2. Double reality
• Final phase
• The Peach
• Fishing as such
• Eliminate the sensation
• Fishing begins
• Before fishing itself!
• Eliminate questions
• Before real fishing
• Visual fishing before fishing
• At the time of real fishing
• Eliminate a maximum of cards
• Show cards
• The spectator eliminates himself
• Eliminate cards
• by their characteristics
• Take out the allegedly chosen card
• Name the most likely cards
• Nominate
• To avoid error
• One in three
• One in two
• Subliminal subtleties
• Don't tell me anything!
• You are lying to me!
• (1st part)
• You are lying to me!
• (Part 2)
• Read the expression
• The spectator is wrong,
• not the magician
• Scatter
• of the question-endowment
• Progressive sequence
• The sequence of characteristics
• (Bob Farmer, Aronson, Daortiz)
• By increasing the number of cards
• How to use the sequence
• Psychological forcing to conclude fishing
• One in five
• (with the feeling of having seen the whole game)
• One in five (other final)
• Watch a card during a mixture
• As much as possible as possible
• By the Hamman counting
• Failures and outings
• Additional subtleties
• Prevention
• Values ​​scale
• Double scale of values
• Collect prior information to spell or count
• Technical forcing failures
• One in two
• Put aside the chosen card
• Pose or throw
• Conclusion
• for verbal forcing of a number
• By pure chance (apparent)
• Verbal forcing failures
• It is always the spectator who is wrong
• Recoil
• Back to reality

Part III

• Strategies and forcages applied to the towers
• At fingertips
• Effect
• Presentation
• Invisible game trilogy
• Mental coincidence
• Impromptu mnemonicosis
• Soulless game
• The impromptu invisible game
• A chosen thought
• Effect
• Presentation
• Twin souls
• Effect
• Presentation
• Impromptu preparation
• Faced with a possible error
• In forcing ...
• Captive thought ("collectors" effect) the turn that we can (very well) explain
• Triple intuition
• Preparation
• Presentation
• Ambitious trip

Book characteristics

• 16 x 24 cm format
• 180 pages
• Color book
• Quadri rigid cover
• Couture binding