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AT THE TABLE LIVE LECTURE - KAINOA HARBOTTLE APRIL 3RD 2019 VIDEO DOWNLOAD
You might Remember His Strange Name from Palms of Steel or the New York Coin Magic Symposiums, seen him online at Reel Magic Magazine, or read His column in the pages of Genii. No Matter How You Know Kainoa Harbottle's Material, You also Know He Brings With Him An Surging Personality, An Off-Beat Sense of Humor, and Some of the Cleanest Coin Magic You Will Ever See.
Originally Hailing from Honolulu, Hawaii, Kainoa Grew Up "in the Trenches," Performing Close-up Magic in the Hotels of Waikiki and the Outer Islands. He Eventually Moved to Los Angeles, Where He was a junior member at the Magic Castle, and then Headed Further East, Teaching for Over A Decade in the University of Delaware's English and Theater Department While Finishing A Dissertation on (Surprise, Surprise) Magic in The Nineteenth Century. A Scholar of Magic's History and an Innovator of one of its Most Challenging Genres, Kainoa's Thinking is considering revolutionary by Many of his contemporaries, and he is surprising Other Magicians by Making the Most Difficult Material Look Effort. This is what you'll be learning:
Too Many Coins: In "Too many corners," You will see corner Magic Performed and Taught in Ways You've Never Seen Before. First, Kainoa Performs A Literally No-Holds-Barred Routine of Doom. Coins go across, changes places, even as he tries to make things easier on the audience by getting rid of more and more of the coins. Finully, the corners Suddenly All Return ... or donation the ending is up to you. This routine is the center point of kainoa's reading because he explains each sequence, he discussions with technical particular. Then, Each of Those Techniques Lead to A discussion of Additional Effects: from an extremely clean copper/silver transposition, to an easy-to-do misser's dream, to an impossible version of Two in the hand, one in the pocket. But the most important lesson is how to suture your effects together to create a routine that allows you to accomplish what you need to for your audiences.
- 3 & 3 Sequence
- Effect application: Gadabout you (Two in the hand, one in the pocket) as alternate ending
Further Than Three Different Ways: This reworking of Michael Skinner's "Three Different Ways" Takes A Strong, Fairly Impromptu Trick and Turns It Into A Showpiece. Three cards are selected in three different ways, and after kainoa reads one spectator's mind in a way that only hes, the rest of the selections are found in a variety of ways, and the rest of the deck turns into jokers.
The Miser's Goblet Performance and Explanation: This is one of Kainoa's Signature Effects: As He Tells the Story of the First Magician He Ever Saw, A Seemingly Endless Ament Of Coins Roll Down Down Fingers Into A Brass Goblet. When the Last Coin Seems to Have Vanized, It Returns While Bringing Even More Coins to His Fingers. Learn the ideas and structure behind this effect, and, if you are brave enough, give it a try.
Originally Hailing from Honolulu, Hawaii, Kainoa Grew Up "in the Trenches," Performing Close-up Magic in the Hotels of Waikiki and the Outer Islands. He Eventually Moved to Los Angeles, Where He was a junior member at the Magic Castle, and then Headed Further East, Teaching for Over A Decade in the University of Delaware's English and Theater Department While Finishing A Dissertation on (Surprise, Surprise) Magic in The Nineteenth Century. A Scholar of Magic's History and an Innovator of one of its Most Challenging Genres, Kainoa's Thinking is considering revolutionary by Many of his contemporaries, and he is surprising Other Magicians by Making the Most Difficult Material Look Effort. This is what you'll be learning:
Too Many Coins: In "Too many corners," You will see corner Magic Performed and Taught in Ways You've Never Seen Before. First, Kainoa Performs A Literally No-Holds-Barred Routine of Doom. Coins go across, changes places, even as he tries to make things easier on the audience by getting rid of more and more of the coins. Finully, the corners Suddenly All Return ... or donation the ending is up to you. This routine is the center point of kainoa's reading because he explains each sequence, he discussions with technical particular. Then, Each of Those Techniques Lead to A discussion of Additional Effects: from an extremely clean copper/silver transposition, to an easy-to-do misser's dream, to an impossible version of Two in the hand, one in the pocket. But the most important lesson is how to suture your effects together to create a routine that allows you to accomplish what you need to for your audiences.
- 3 & 3 Sequence
- Key Move: The Push-Through Steal
- Different Push-Through Steal Techniques
- 1, 2, gold all corners
- Hyper clean Copper/Silver Effect
- Key Moves: Fingentip Utility Pass and Push-Through Steal
- Key Move: One-Handed Shell Un-Nest
- Key Moves: Action Heel Steal and Click Pass
- Key Moves: Click Pass and One/Two-Behind Principle
- About Interaction-Make the Coins Appear in the spectator's hands Twice.
- Effect application: Gadabout you (Two in the hand, one in the pocket) as alternate ending
- Key Move: pop-up move
- Key Moves: Steeplechase Discrepancy and Edge Gip
- Appearing on the table
- Three Different Techniques to Get Into Edge Gip
Further Than Three Different Ways: This reworking of Michael Skinner's "Three Different Ways" Takes A Strong, Fairly Impromptu Trick and Turns It Into A Showpiece. Three cards are selected in three different ways, and after kainoa reads one spectator's mind in a way that only hes, the rest of the selections are found in a variety of ways, and the rest of the deck turns into jokers.
The Miser's Goblet Performance and Explanation: This is one of Kainoa's Signature Effects: As He Tells the Story of the First Magician He Ever Saw, A Seemingly Endless Ament Of Coins Roll Down Down Fingers Into A Brass Goblet. When the Last Coin Seems to Have Vanized, It Returns While Bringing Even More Coins to His Fingers. Learn the ideas and structure behind this effect, and, if you are brave enough, give it a try.
- Key Moves: Steeplechase Discrepancy and Palming Lots of Coins
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