Description :

In the history of hypnosis, No man had no impact on stage hypnosis than Normond McGill. The new encyclopedia of scene hypnosis is considered by professionals to be one of the most complete and most exhaustive works ever produced on stage hypnosis.

In this four -tone encyclopedia, bringing together no less than 77 chapters, you will discover a part presenting a complete history of hypnosis as well as a detailed description of how to use the suggestion power. Over one hundred different methods of hypnotic induction are then described in detail.

You will also discover how Design, develop and present a modern hypnosis show, the book includes extracts from some of the most successful shows ever presented in the world. Everything is addressed, from the opening of the show to the best advertising methods. You will also find precious chapters on the commercial aspects of hypnosis and on how to avoid legal proceedings, as well as important questions and answers on the subject of scene hypnosis.

Throughout the book, language is clear and simple. The approach is practical and earth-up. Every detail of inductions and routines is included. Ormond completely demystifies the subject and, in his inimitable style, takes us into his wonderful world of hypnosis.

The opinion of the pros:

"The most complete work ever published on the subject of stage hypnosis. Ormond, widely recognized in North America as the dean of stage hypnotism, has really surpassed by providing such a complete work. I Highly recommends this book to all those who plan to make a career in this area and I also recommend it to all those who wish to improve their skills. - Paul McKenna

"Ormond McGill has produced a masterful work on stage hypnosis ... while including its previous work, but with a lot of new and updated equipment added for today's mastery." - Gill Boyne, President, US Consulting of MEYTAIVERS.

"This phenomenal work of the" dean of American hypnotists "has been exhausted for more than ten years. It is not only the most complete book ever published on stage hypnosis, but it also has many therapeutic applications. Now totally Revised, I am convinced by my experience that there are large parts of the book which contain work never published before. Even the experienced hypnosis practitioner will acquire new skills thanks to this important work. " - Martin Roberts Ph.D.

Book characteristics:

• 288 pages
• Rigid cover
• Fabric

Summary - Volume 3:

• Part second: Entertain with hypnosis
• Preliminaries at the hypnosis show
• Chapter 44: Introduction to entertaining hypnosis,
• by Gil Boyne
• Chapter 45: Basic understanding
• Chapter 46: You as a stage hypnotist
• Qualifications of an entertaining hypnotist
• Three basic rules for successful hypnosis on stage
• Advantages of a hypnosis show
• Your appearance as a hypnotist
• Attitude on stage
• Public acceptance
• Well-being of the subject
• Chapter 47: Secrets of success on stage
• Waiting
• On stage
• The importance of importance
• Social approval
• Group size, age, age and sex
• Evaluate your group
• Assemble the group
• Group hypnosis
• Progressive persuasion
• Pressure of a hypnosis show
• Repetition and clarity of suggestions
• One thing at a time
• Don't ask for it
• Promote your best subjects
• Depth of the trance on stage
• Maintain the subjects in trance
• Simulation
• Deliberate simulation
• Personalize your show
• Always be vigilant on stage
• Chapter 48: Hypnosis as an entertainment
• Presentation of a modern hypnosis show
• Rule 1: Never do the clown
• Rule 2: Never ridicule your subjects
• Rule 3: Incorporate science into your presentation
• Rule 4: Put your audience in confidence
• Rule 5: interest your group
• Rule 6: Always be entertaining
• Make your hypnotic visual phenomena
• Amplify your hypnotic effects
• Speed ​​and rhythm of the hypnosis show
• Structure of a hypnosis show
• Chapter 49: Five additional important tips
• Tip 1: The subject listens to you
• Advice 2: Double language towards the subject
• Advice 3: Consent of the hypnotized subject
• Advice 4: Ineck in action
• Advice 5: suggestive value for pantomime
• Chapter 50: Programming a hypnosis show
• "Hypnotic wonders" Act 1
• "Hypnotic wonders" Act 2
• Hypnosis show
• Chapter 51: Start the show
• Introduction of Ormond McGill
• Introduction of Pat Collins
• Chapter 52: Invitation to go on stage
• Motivation 1: Living an exciting new experience
• Motivation 2: Explore the unknown
• Motivation 3: Find peace
• Motivation 4: Just to have fun
• Chapter 53: Have the best subjects on stage
• Manual illusion
• Pencil release method
• Technique of "imaginary elastic"
• Lock the hands of all the public
• View "a flame underwater"
• Unexpected mass hypnosis
• Chapter 54: The group on stage
• Chapter 55: Initial hypnosis of the group
• "Meditation" method
• Rapid method
• Non -verbal method
• Chapter 56: Complete hypnosis show
• The show begins
• First group experience:
• "Hypnotic state of mind" test
• First individual experience: rocking test
• Rear rocking test
• Top test forward
• Sitting
• Second group experience: Grouped seated test
• Second individual experience: muscle catalepsy
• Third group experience
• Fourth group experience
• Polled finger tests and nervous fingers
• Other hypnosis experiences awake with isolated subjects
• Heavy water, serve while trembling, bitter water, mouse on the ground
• Individual hypnotic induction on stage
• Fifth group experience
• Mass hypnosis
• Grouped test of raised hands
• Cigarette test
• Sixth group experience
• Grouped hypnosis from the public
• Experiences with the front group
• Arm rotation
• The canary
• Instant hypnosis
• Amnesia
• Seventh group experience
• Cinema group test
• Eighth group test
• Post-hypnotic final
• Chapter 57: Conclude the show
• Post-hypnotic final of Tex Morton
• MICHAEL DEAN Post-hypnotic final
• Pat Collins post-hypnotic final
• Dance competition final
• Hypnosis show routines
• Chapter 58: Other Routines d'Ormond McGill
• Hypnotic exercises
• The boxer
• The rower
• The diet belt
• The elixir of youth and old age
• The storm
• Deputy in the audience
• Frankenstein monster
• The invisible hypnotist
• Seasickness
• Small swimming
• Choir
• Silver on the ground
• Plane trip
• Flying saucer towards Mars
• The Hindu rope turn
• Back to school
• X -ray glasses
• Develop routines for your own show
• Chapter 59: The great Hollywood hearing
• Imitate their favorite film or their favorite star
• Romance in the cinema
• Mimic their work
• Mimic different objects
• Chapter 60: Ideas by Jerry Valley
• Rhythmic breathing hypnosis method
• Some routines of the Jerry Valley hypnosis show
• Comic emission
• Buttocks
• Background chair
• Lie detector
• Two interesting objects used by Jerry Valley
• Chapter 61: Pat Collins ideas
• Hypnosis by "progressive sleep"
• Burning chair
• Sexy reactions
• A missing finger
• Serious consideration
• Conclusion of the show
• Chapter 62: Ideas by Martin St James
• Triple reaction induction
• Hypnosis management in Martin St James' show
• Country picnic
• Equestrian race
• Music group
• Chapter 63: Modernization of hypnotic routines
• Doctor Flint
• Chapter 64: Compilation of hypnotic routines
• around the world
• Subjective response to routines
• Organize your show
• Individual tests
• Grouped tests
• Pair/Oddinating Hypnotic Experiences
• Chapter 65: sensational hypnotic exploits
• Hypnotic blood
• Human X -rays
• Heart and pulse
• Needle through the flesh
• Fire resistance
• Catalepsy
• Stone breaker

Release date of different volumes:

• The new encyclopedia of scene hypnosis - Tome 1 (available)
• The new encyclopedia of stage hypnosis - Tome 2 (available)
• The new encyclopedia of stage hypnosis - volume 3 (available)
• The new encyclopedia of scene hypnosis - volume 4 (summer 2025)