{"product_id":"conference-en-duo-avec-yoann-fontyn-philippe-molina","title":"Conférence en Duo avec Yoann Fontyn \u0026 Philippe Molina","description":"\u003cp\u003e\u003cstrong\u003eDuo Conference with Yoann Fontyn \u0026 Philippe Molina:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eI met Yoann Fontyn, also known to many as \u003c\/span\u003e\u003cstrong\u003eMagicalsleight\u003c\/strong\u003e\u003cspan\u003e, during the Rendez-Vous Magic Dream 2025. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt didn't take me very long to know that I wanted to work with him. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere is something about Yoann that I particularly like in card magic: an immediately recognizable identity. His magic is visual, fluid, extremely worked, with this permanent impression that the cards slide, appear, disappear or transform almost on their own. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOf course, behind this apparent simplicity often hides a formidable technique. Yoann is one of those fortune tellers capable of working extremely hard on a movement so that when it is executed, we no longer see the movement. It’s not about making it difficult for the sake of making it difficult: \u003c\/span\u003e\u003cstrong\u003ethe technique is there to produce an image, a sensation and a moment of magic as direct and aesthetic as possible.\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHis work has been known for a long time well beyond France. He has published numerous creations and several projects devoted to his cartomagic, including \u003c\/span\u003e\u003cem\u003eModern Intricacies\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eModern Intricacies 2\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eAtomic\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eTenacious\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eModern Ace Productions\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eComa\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eAmber\u003c\/em\u003e\u003cspan\u003e or even \u003c\/span\u003e\u003cem\u003eJoker 52\u003c\/em\u003e\u003cspan\u003e. A significant part of his work has been distributed internationally, notably by Vanishing Inc. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen I met him at Magicdream, I quickly asked him to participate in one of my duo conferences. His response was immediate: \u003c\/span\u003e\u003cstrong\u003eyes!\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eI had to wait a little, since I only voluntarily produce \u003c\/span\u003e\u003cstrong\u003ethree duo conferences per year\u003c\/strong\u003e\u003cspan\u003e. I like each one to remain a real event, with a guest that I really want to discover or rediscover in depth. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis meeting finally took place on \u003c\/span\u003e\u003cstrong\u003eFriday September 18, 2026\u003c\/strong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd we obviously had a lot to say to each other since this conference finally reached a duration of... \u003c\/span\u003e\u003cstrong\u003e4 hours and 13 minutes!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA very long evening entirely devoted to Yoann's work, his routines, his techniques, his way of constructing effects and, more broadly, his vision of card magic. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis format allowed us to go much further than the short sequences by which many know his work on social networks. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSeeing a very nice routine of a few seconds go by is one thing. Being able to stop at it, understand how it was thought of, why a particular movement was chosen rather than another, how the routine was built and what details make it possible to transform a manipulation into a real magical effect is another. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is precisely what we did during this conference. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs always in my duo conferences, I was at his side to ask him questions, bounce back on his proposals, discuss certain techniques, compare our ways of approaching map magic and also let the conversation take us towards ideas that were not necessarily planned at the start. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is precisely what I like about these conferences: \u003c\/span\u003e\u003cstrong\u003eit is not a lone magician reciting a prepared lecture in front of a camera.\u003c\/strong\u003e\u003cspan\u003e It’s a real conversation between two enthusiasts, with the digressions, the variations, the reflections that appear along the way and the questions asked by the magicians present during the live broadcast. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd with Yoann, there was clearly no shortage of material! \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis conference is naturally aimed at lovers of beautiful maps and technique, but not only. It will also be of interest to all those who seek to understand how to make a manipulation more natural, how to give fluidity to a routine and above all how to make people forget the technique to leave only the effect. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4:13 to enter Yoann’s universe and discover what is really hidden behind this visual, precise and terribly elegant map.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eOn the program:\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eYoann had made a choice that I found particularly interesting: to take advantage of this conference to essentially present material that he had never shown on video or explained before. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHe also wanted to select truly affordable routines. Obviously, we are talking about his card magic and some of it will require work, but he had voluntarily avoided things that were unnecessarily “finger-breaking” in favor of material that we can really consider learning and integrating into our own repertoire. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe thus find very short and very visual effects, perfect for \u003c\/span\u003e\u003cstrong\u003eimmediately capture the attention of spectators\u003c\/strong\u003e\u003cspan\u003e, but also longer routines built in several phases. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll the work presented is based on a principle that I particularly like:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eNo gimmicks. No duplicates.\u003cbr\u003eSimply a deck of 52 cards.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003ch3\u003eConference summary:\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cstrong\u003eAstro\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHelp\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHair Cut\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe great collection\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePrinting service\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eArea 41\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTwisting Shuffle\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSafe value\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThere are two jokers\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDeliveroi\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe exchange\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSet of squares\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHere and there\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHoming Sandwich\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMauricette\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFast food\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDressage\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4 Productions\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProduction Sandy\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eThroughout these routines, we were able to approach many aspects of Yoann's work: flash effects, transformations, productions, longer routines, small packages, constructions in several phases and of course different techniques allowing to obtain this fluidity very characteristic of his work. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn important part of the conference is also devoted to a theme that Yoann particularly likes: \u003c\/span\u003e\u003cstrong\u003eAce productions\u003c\/strong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe talked about their mechanics, but also their construction and especially the impact that a production can have on a spectator. It’s a subject that fits perfectly with his way of working: not only considering movement, but thinking about the image produced and the way in which it will be perceived. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYoann also focused on a double lifting technique that he particularly likes: the famous \u003c\/span\u003e\u003cstrong\u003eStuart Gordon Double Lift\u003c\/strong\u003e\u003cspan\u003e. The opportunity to study the technique itself, its use and how he integrated it into his own work. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis conference is also full of exchanges, variations and discussions around routines, with questions from participants who were present during the live broadcast. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf you want to discover Yoann’s universe before embarking on these \u003c\/span\u003e\u003cstrong\u003e4:13 a.m. lecture\u003c\/strong\u003e\u003cspan\u003e, you will also find a lot of videos of his work on Instagram and YouTube.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eDuration: 4h13 in French.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFull replay of the conference recorded live on Friday September 18, 2026.\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChaptered streaming video and downloadable file.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yoann Fontyn","offers":[{"title":"Default Title","offer_id":53762295791952,"sku":"MDD-CONFDUOFONTYN","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0419\/0938\/7428\/files\/img_confyoannfontyn.jpg?v=1791288648","url":"https:\/\/magicdream.fr\/en\/products\/conference-en-duo-avec-yoann-fontyn-philippe-molina","provider":"Magic Dream","version":"1.0","type":"link"}